Unfortunately this website does not support Internet Explorer 6

Please upgrade your browser to the latest version of Internet Explorer:

Latest Version of Internet Explorer



The youtheatre are currently in rehearsal for Timberlake Wertenbaker’s ‘My Father, Odysseus’ which will be performed at Jersey Arts Centre from Wednesday 23 – Saturday 26 June at 8pm. Click here to buy tickets now!

Directed by Nicole Twinam and Hettie Duncan

“Act like a man. What is that supposed to mean? How would I know what it is to act like a man?”

Telemachus’ father left long ago to fight a war. He doesn’t remember him. Now the man of the house, he must step up to defend his father’s legacy and protect his mother from the suitors that lounge around the court.

This timeless Greek myth has been reinvented by extraordinary playwright Timberlake Wertenbaker (‘Our Country’s Good’, ‘Three Birds Alighting on a Field’) to create a modern, rich and powerful work about a son searching for his father and a father searching for himself that explores masculinity and the effects of war.

Suitable for 11 years +

Licensed by arrangement with The Agency, 24 Pottery Lane, Holland Park, London W11 4LZ



Aged between 14 & 19?
Seriously interested in theatre?
Free between 6pm & 8pm on Wednesday evenings?
Bored on Sundays?

If so, then why not join the Jersey Arts Centre’s professionally led company throughout the autumn 2021 and spring 2022 terms into a full-scale production in 2022? If you have the energy, the commitment, the imagination and a serious sense of humour then just turn up at Jersey Arts Centre for the first session: WEDNESDAY 15 SEPTEMBER: 6PM – 8PM

Image: PETER PAN 2018, Wayne Stewart

After making the unprecedented decision on 18 March not to present youtheatre’s ‘Beasts and Beauties’ to an audience, due to the coronavirus pandemic, we decided to film a dress rehearsal performance of the piece for the first time.

Click here to watch online clips from youtheatre’s latest production!

We are so excited to be able to share with you, in eight parts, Carol Anne Duffy’s european tales, dramatised by Melly Still and Tim Supple.

We hope you enjoy the performances from our 15 talented cast members! Each section of the show will be up for one week only, so make sure to watch before it disappears!




Maywa Ballu, Lottie Bates, Gabriel Carter, Joseph Clarke, Lola Davey, Tifany Gabor, Gen Hargreaves, Jack Humphries, Julia Majewska, Tsipporah Munro, Dante Nardone, Kimberley Noel, Joshua Scott, Clara Sheppard, Hettie Young


Maywa Ballu, Gen Hargreaves, Tsipporah Munro, Dante Nardone, Joshua Scott


Directed by Hettie Duncan and Nicole Twinam / Lighting Design by Steven Laffoley-Edwards / Lighting and Sound Operation by Jason Kenyon and Jordi Sunier

Eight Tales from Europe adapted by: CAROL ANN DUFFY

Dramatised by: MELLY STILL and TIM SUPPLE

Join Jersey Arts Centre’s youtheatre in a world of magic, murder, mystery and myth as they present eight classic folk tales from around Europe.

From well-known tales such as Beauty and the Beast and The Emperor’s New Clothes, to the more unusual stories of The Juniper Tree and The Three Wishes, this collection of stories is sure to delight and entertain.

You may think you know these folk tales…but expect the unexpected!

Copyright: Carol Ann Duffy.

Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd, 20 Powis Mews, London W11 1JN

Wednesday 1 April 2020

For this week’s youtheatre update, we’re travelling back to 2017…here’s a message from youtheatre co-directors Hettie Duncan and Nicole Twinam:

“Today’s youtheatre update is a throwback to Spring 2017 and our production of Bryony Lavery’s adaptation of ‘Treasure Island’ (which was 3 years ago this week!). As you can see from the photographs below, we decided to do something extraordinary with our set and turn the Benjamin Meaker Theatre into a giant sand pit!

Simon Sand and Gravel Ltd. were our Sand Saviours and helped to make our desert-island dream a reality! With the help of the Stage Department and members of the youtheatre (plus several shovels!), 4 tonnes of sand were put on the stage, creating the world of ‘Treasure Island’.

Firstly, we laid a tarpaulin down and then some material flooring (previously used in JAC’s ‘Waiting for Godot’ (directed by Daniel Austin) and youtheatre’s ‘Antigone’). We then opened the scene dock door and the sand was winched in, demonstrated in the photograph of Deputy Director, Steven, guiding it! Despite our best efforts to keep the sand contained to the stage, Steven and Jason from the Stage Department have found remnants years later!

Jersey Arts Centre youtheatre has a great reputation for pushing boundaries (it has been mentioned in many a JEP review!) both in terms of the plays we chose and how we stage them and ‘Treasure Island’ was no different. We have very fond memories of creating this extraordinary set and we cannot wait to resume youtheatre after this hiatus and continue to challenge ourselves! We hope you enjoy these photographs of the process and the performance.”





Jersey Arts Centre youtheatre is the in-house theatre company for 14-19-year-olds. It was founded in 2001 by Jersey Arts Centre Director Daniel Austin. Since then, there have been 39 major productions along with numerous animations and readings for Island events. In 2015, Hettie Duncan and Nicole Twinam began directing youtheatre together. Since 2003 the youtheatre have been involved with the twinning between St Helier and Bad Wurzach and have taken several plays to the town. The most recent production was Carol Ann Duffy’s BEASTS AND BEAUTIES.



2002 The Ramayana by Peter Oswald

2002 Pippin by Stephen Schwartz

2003 The Resistible Rise of Arturo Ui by Bertolt Brecht

2003 Romeo & Juliet by William Shakespeare *

2004 Peter Pan by J.M. Barrie / Piers Chater-Robinson

2004 Gilgamesh by The Company

2005 Under Milk Wood by Dylan Thomas

2005 The Last Voyage of Philip D’Auvergne by Simon Crowcroft *

2006 The Lion, the Witch and the Wardrobe by C.S. Lewis / Adrian Mitchell

2006 Haroun and the Sea of Stories by Salmon Rushdie / Tim Supple

2007 4.48 Psychosis by Sarah Kane

2007 The Adventures of Mr Toad by Kenneth Graham / Ginman & McAllister

2008 After Liverpool by James Saunders

2008 Women of Troy by Euripides *

2008 Our Town by Thornton Wilder

2009 outside/inside by The Company

2009 One Million Tiny Plays About Britain by Craig Taylor

2009 Notes to a Goldfish by The Company

2010 Life of Galileo by Bertolt Brecht *

2010 Alice in Wonderland by Lewis Carroll / The Company

2010 Games by James Saunders

2011 Attempts On Her Life by Martin Crimp

2011 Godspell by Stephen Schwartz

2012 The Conversation by The Company *

2012 The Tempest by William Shakespeare

2013 A Dream Play by August Strindberg

2013 The Jungle Book by Rudyard Kipling

2014 Antigone by Sophocles / Stephen Spender

2014 The Harold Pinter Revue Sketches by Harold Pinter

2015 The Trial by Franz Kafka / Stephen Berkoff

2015 One Flew Over the Cuckoo’s Nest by Ken Kesey / Dale Wasserman

2016 Matchbox Theatre by Michael Frayn *

2016 A Clockwork Orange by Anthony Burgess

2017 Treasure Island by Bryony Lavery

2017 Medea by Ben Powers after Euripides

2018 George Orwell’s Animal Farm / Adapted for the stage by Ian Wooldridge *

2018 J.M Barrie’s Peter Pan / performed at Hamptonne Country Life Museum

2019 Kes by Lawrence Till / Adapted from Barry Hines’ ‘A Kestrel for a Knave’

2019 Start Swimming by James Fritz

2020 Beasts and Beauties by Carol Ann Duffy / dramatised by Melly Still and Tim Supple


* these 7 productions also toured to St. Helier’s twin town of Bad Wurzach, in Southern Germany, as part of an historic cultural exchange


Our Latest Reviews…



“…compelling, thoughtful and at times thoroughly disturbing…as smoke fills the arena, Nayar defiantly stares out people in the crowd, stomping round the stage…it is a clever technique, pulling the audience into the production from the moment they take their seats…the youtheatre continue to push the boundaries and should be applauded for their bravery and desire to test themselves – and their audience…viddy well, brothers.”

RAMSAY CUDLIPP ~ Jersey Evening Post


MATCHBOX THEATRE ~ February 2015

“…The cast of the Jersey Arts Centre youtheatre excelled themselves in their first-night performance…the use of wooden seats, which the actors moved around the stage to set each scene, was simple but very effective…the soundtrack, which included vintage blues and jazz was particularly well chosen…Frayn’s work may not be to everyone’s liking, but if he’s your sort of of writer, then this excellent adaptation will suit you very well.”

GILL KAY ~ Jersey Evening Post



“…if anyone can be said to take risks, it’s the Arts Centre’s youtheatre… [this] innovative theatre company has been behind some of the Island’s most imaginative stage productions of the last decade… Co-directed by youtheatre stalwarts Nicole Twinam and Hettie Duncan, Cuckoo’s Nest is respectful to both the source novel and the film, yet it doesn’t slavishly follow either, instead developing an identity entirely of its own… The two directors have clearly used their own backgrounds as youtheatre actors to draw out performances that entirely belie their cast’s youthful years… Portraying the iconic McMurphy, 15-year-old Peter Jones has a lot of baggage resting on his shoulders, but you would never know it to witness his supremely cocksure performance… Peter stamps his own identity on the role… The electric-shock therapy sequence was particularly ingenious…”

TOM OGG ~ Jersey Evening Post


THE TRIAL ~ February 2015

“The Old Magistrate’s Court was the perfect setting… The ensemble worked like a cell and symbolised physically the levels of tension and tone in the play… [it] captured the brooding menace of his [Joseph K’s] existential nightmare… They moved their cast around like merry-go-round figures, strung them up like puppets and made them intimidating, tribal, violent, absurd and cajoling while navigating between poles of utter torment and surrealist humour… The play was meant to be in this space… it was the way they turned the place into a labyrinth that was most impressive… This effect was a metaphor for K’s confusion and the avenues that would appear tantalisingly open to him only to close again… The performance was fizzing with youthful energy… this drama has never been more relevant.”

JOANNA JOHNSON ~ Jersey Evening Post


ANTIGONE ~ February 2014

“… a fresh and compelling rendition… it was as a collective the actors most impressed. The script was delivered flawlessly… A ‘rave’ scene, redolent of debauched Greek celebrations, was a surprising but compelling scene, making a disjointed, free-flowing contrast to the tight, military-precise movements of the rest of the play… the themes of folly and hubris are still as relevant as ever, but the youtheatre still manages to breathe new life into a play that was penned more than 2000 years ago…”

RAMSAY CUDLIPP ~ Jersey Evening Post



“The ancient grounds of La Hougue Bie were filled with the sound of wild animals… In a fine performance from the committed youtheatre… In a novel and effective way of utilising the natural space… the storyteller, Brahmin, [was] played with authority and gravitas by Gemma Hamilton…

It was an inspired choice… to use more than one actor for the main characters… the three girls playing the dangerous snake Kaa (Martha MacDonald, Layla Arthur and Chloe Wallser) were all bedecked in colourful saris and trinkets and sashayed through the scenery like a powerful, lithe reptile – chanting their words in tandem to great effect.

It is no mean feat to fill such a large, open arena with sound and meaning but the young cast managed it with aplomb… The 90-minute performance was a triumph and [Hermione] Duncan was superb as the vulnerable Mowgli, searching desperately for an accepting tribe among both humans and animals, and her final monologue was delivered with raw emotion and passion… a unique setting.”

RAMSAY CUDLIPP ~ Jersey Evening Post


THE TEMPEST ~ June 2012

“youtheatre‘s version of The Tempest shuns convention, [and] embraces risks… an admirable reworking by the cast that at times burns with drama and at others oozes humour… This is Shakespeare upside-down…”

ED BOLLA ~ Jersey Evening Post



“…death, politics, religion and the nature of fear were all covered during the show… I was impressed with the sheer guts of the youthful cast… and their well-thought-out and convincingly articulated opinions… it will be of interest to anyone who wants to see something a little different to the norm. Before going to watch it I recommend you leave your preconceptions about theatre in the foyer.”

ED BOLLA ~ Jersey Evening Post


GODSPELL ~ July 2011

“This youtheatre production is like the greatest Abba singalong, YMCA dance routine and risque story about the groom all rolled into one. In short, wow… this dynamic, uplifting and funny production… beautiful harmonies… St. Helier Methodist Centre is the most beautiful, ideal setting.”

JULIE PARK ~ Jersey Evening Post


ALICE IN WONDERLAND (Christmas Revival) ~ December 2011

“…unwavering professionalism, confidence and attention to detail… The entire cast, from lead Alice to white rabbit and the morphing Tweedles, is a joy, but just a tiny mention of the uber-confident (male) Queen of Hearts, for creating a manic persona somewhere between Frankie Howerd and the malfunctioning robotic head in Total Recall… if you’re a pedantic fan of surreal classics like The Hitchhiker’s Guide to the Galaxy, this is the version for you.”

JULIE PARK ~ Jersey Evening Post


GAMES ~ September 2010

“…Superb use of multi-media saw a giant projection screen mixing images of the cast in rehearsals with the [My Lai] massacre itself and American space rockets. There was also an infamous clip from ‘The Deer Hunter’ – made surreal because the film’s Certificate meant that everyone aged under eighteen had to leave the auditorium, including all the performers… the five teenaged current youtheatre members were exceptional… their (real or simulated) confidence shone… ”

JULIE PARK ~ Jersey Evening Post



“…St. James again proves its unique performance value, with every area decorated: walls of mirrors, walls of clocks and a small beach in one corner… [and] intricate dialogue… They demonstrated the value of silence amongst the noise at the infamous tea party where everyone simply stopped… A well-crafted moment in a well-crafted production… Like the original book, this Alice in Wonderland is gloriously, gloriously odd – and I’m sure Lewis Carroll is looking down approvingly from above.”

JULIE PARK ~ Jersey Evening Post


LIFE OF GALILEO ~ March 2010

“… The actors, one and all, are superb. The bravest of the brave, they walk amongst audience members with a confidence… This confidence includes coping immaculately with Brecht’s actor-torturing text… the direction and use of every nook and cranny in St. James demonstrates what can be done when you take away theatrical conventions. The Jersey Arts Centre youtheatre has again challenged a play and a playwright that most theatre companies wouldn’t touch, and succeeded… It is a production that demands your attention and holds it from start to finish. If you want to be part of something unique, go.”

JULIE PARK ~ Jersey Evening Post


ARTS ALIVE ~ December 2009

Rod McLoughlin looks back at the cultural highlights of the decade…

“…A stage highlight of the past ten years has been the re-emergence of the Arts Centre’s youtheatre under its charismatic director, Daniel Austin. I thought their version of Euripides’ The Women of Troy at St. James simply magnificent, bringing to life a timeless classic in a way which was compelling for a modern audience.

It is an extraordinary visual imagination which distinguishes many of this director’s productions – here recreating from scrap metal the chaos of war-torn Troy with shadowy figures rushing manically through the gloom deliberately to unsettle the audience…”

JERSEY EVENING POST ~ Rod McLoughlin 30 December 2009


OUTSIDE / INSIDE ~ April 2009

“Gems amid the noise.”
“Julie Park finds experimental theatre rather hard going.”
“Let loose, the Arts Centre’s technical team always create stunning staging, providing a real insight into what’s possible outside a rectangle… There were moments of real pathos from the Children of Wax and humour following statutory instructions as they mangled (‘we apologise for the grass’)… there was also real meaning in the young actors describing what was inside them – from food to secrets… [but] is experimental theatre too much for Jersey?”

JULIE PARK ~ Jersey Evening Post


OUR TOWN ~ July 2008

“With the absence of props, apart from 20 wooden chairs and the actors’ chequered shirts of differing colour, the cast successfully create the entire town and the various sound effects themselves… The enthusiasm was evident… The uplifting finale is a fitting end to another successful performance from the youtheatre.”

RAMSAY CUDLIPP ~ Jersey Evening Post


THE WOMEN OF TROY ~ March 2008

“Like a Trojan Kate Adie, the Arts Centre youtheatre takes us into Euripides’ action in all its gory glory… Great use is made of the piano, both gently played and loudly tortured by the multi-talented Tom Weber… Alternately defiant and distraught, Francesca Duncan’s confidence shines through, stunningly unafraid of silence even when alone in the spotlight… The youtheatre always creates a fresh, intense theatrical experience and The Women of Troy excels in these aims.”

JULIE PARK ~ Jersey Evening Post



“… another tightly choreographed ensemble piece in the trademark youtheatre style which boasts some fine acting … Jack Speckleton is a crowd-pleasing rambunctious Mr Toad in a spirited performance reminiscent of Matt Lucas’s recent star turn for the BBC as the bufoonish amphibian. Jack can happily hold the stage on his own … The Adventures of Mr Toad should leave audiences feeling a warm glow …”

JANE DELMER ~ Jersey Evening Post



“Fast-paced and funny, the play is a homage to story-telling… a perfect vehicle for the youtheatre… The actors use buckets and bodies in ingenious ways to create boats, beds, buses, battles and buildings. The elements of the production that work best outdoors are the slapstick and physical clowning, a vibrant and hugely enjoyable blend of rhymes, whistles, cartwheels, mock-bad singing and dancing… In the words of one of the characters, as a piece of theatre it is ‘SuperMarvelloso, Incredibable, and wholly Fantastick!'”

JACQUELINE MEZEC ~ Jersey Evening Post



“…an enchanting performance… the choice of Mont Orgueil as the setting for an adaptation of C S Lewis’s classic children’s story is inspired. The battlements not only make a stunning backdrop… they also embody a medieval romanticism in keeping with the original novel. A tightly discplined, physical production, this is as fine an ensemble piece as we have come to expect from the youtheatre. The simple, stylised costumes, with every performer carrying a wooden staff, lend the production a suitable arcadian feel which only adds to its charm.”

JANE DELMER ~ Jersey Evening Post



“Quirky, hyper-kinetic and irreverent, this rollicking romp grabs attention and keeps it… the strength of the youtheatre is in their ensemble work achieved through dedication by everyone… With wordplay, football chants, Jersey humour, catchphrases, shrieks, shanties and rap, this eclectic, high-energy show takes many liberties. This is history filtered through our media-driven culture with a strong message about destiny, an entertaining concoction delivered with conviction and verve.”

JACQUELINE MEZEC ~ Jersey Evening Post


UNDER MILK WOOD ~ April 2005

“The youtheatre are fast developing a reputation for doing anything but the ordinary, and this production is no exception, with a group of mature, committed performers who prove they really are up for the challenge.”

LOUISE NIBBS ~ Jersey Evening Post


GILGAMESH ~ September 2004 & February 2005

“The cast were already present when the audience arrived, setting a scene of quiet intensity in which the touch of a hand or the brush of one body against another was enough to make the condensed space between one and the other crackle with tension… impressive and mature… powerful and mesmeric… This is a stunning production of a stirring story and deserves the widest audience.”

ELAINE HANNING ~ Jersey Evening Post